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At the moment, what he has is another fine blast of power-pop wind. Ultimately, Yorn determines that he's done pretty well and would do even better to sit back and appreciate what he has. Later, he channels Eddie Vedder for an intimate list of introspective questions about whether taking a more commonly traveled path in life might have served him better in the end. On "Rock Crowd," Yorn showers moaning acoustic adulation atop his own adoring fans. Perhaps it wasn't just the compressed schedule that created the sense of immediacy here, but rather Yorn's growing understanding of his own mortality: against a rip current of guitars just dirty enough to make the Foo Fighters proud, he opens the album wishfully singing, "Come on, come on, we're gonna get there/Come one, come on, we've gotta go . . . There don't seem to be too many roster spots remaining for solo males in the world of mainstream power pop, but that hasn't stopped Pete Yorn from delivering first-string caliber performances time after time.įresh off a two-release 2009 that included a duet album with actress Scarlett Johansson, Yorn released his eponymous seventh album, produced by Frank Black (Pixies) and recorded over five days in western Oregon. Geraud Blanks, Special to the Journal Sentinel
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"Lyrics" won't propel Jones to stardom, but it will satisfy loyal followers. Uptempo, club pop songs aren't Jones' forte, but "What's Next" and "You Can Burn" mesh fairly well with his bread-and-butter tunes like the guitar-laden track "Just A Little." He spins a tangled web of deceit on "Blackmail" and reverses the male/female paradigm on "Imagine That," much like Beyonce's hit song "If I Were a Boy." There isn't much Jones doesn't do well when contemplating love, lust and life's consequences. His new album, "Lyrics," continues his tradition of mixing seductive pronouncements, such as the exceptional "Your Place," with the "good guy" mantra of "All about the Sex." He's honest about what he wants without being callous, a skill many of his younger counterparts have yet to master. Typical of Jones' work over the past decade, it showcases what makes him unique. "Where I Wanna Be", Donell Jones' 1999 single, should be required listening for any woman who wants a candid look into the male psyche. Erik Ernst, Special to the Journal Sentinel Kenny Chesney will perform Saturday as part of Farm Aid 25 at Miller Park. But when Chesney's rich vocals blend with Grace Potter's to explore the delicate nature of love on "You and Tequila," it works perfectly. In some cases, the reflective focus goes too far, making "Coastal" a clichéd tongue-in-cheek litany of Gulf Coast images. With "Hemingway's Whiskey," Chesney largely eschews his usual Southern party rock to focus on melodic emotional glances back in time, exploring the long-lost summer love of "Seven Days," the hard-learned life lessons of "Where I Grew Up" and the small-town revelry of high school football on the album's first single, "The Boys of Fall." The song's chorus was interpolated in the 2002 song " Thug Lovin'" by Ja Rule featuring Bobby Brown.Kenny Chesney understands the power of nostalgia on a country record. The first two notes of the piano intro for "Knocks Me Off My Feet" were sampled by Ol' Dirty Bastard on the 1995 song " Shimmy Shimmy Ya".
#All her love donell jones lyrics meaning movie#
In a scene from the movie Beauty Shop, Joe ( Djimon Hounsou) is playing "Knocks Me Off My Feet" on the piano, capturing the attention of Gina ( Queen Latifah) and her piano prodigy daughter Vanessa ( Paige Hurd) from Gina's salon beneath Joe's apartment. The song has been performed by various contestants on singing competition television shows, including Adam Garner on Pop Idol, Andrew Boderick on Canadian Idol and Elliott Yamin, Sanjaya Malakar and Jermaine Jones on different seasons of American Idol. Other artists who have covered the song include Jeffrey Osborne, Najee and Marco Sison. The song was covered by Luther Vandross on his 1996 album Your Secret Love. This version, though it was not released as a single, still managed to reach #75 on the Hot R&B/Hip-Hop Airplay chart.
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It was covered by Tevin Campbell in 1996 for the soundtrack to A Thin Line Between Love and Hate. This version hit #49 on the Billboard Hot 100, and #14 on the Billboard Hot R&B/Hip-Hop Songs chart. Donell Jones released a cover of "Knocks Me Off My Feet" as the second single from his debut album, My Heart, in 1996.